Microsoft Windows 8 Pro VL en-US x32 x64 May2013
English (US) | KMS Pre-Activated | Update Release: May 15, 2013 | x86 3.59 GB | x64 5.34 GB

Blackmagic Design announced the release of DaVinci Resolve 9, a major new update to the world’s most advanced color correction tool featuring a completely redesigned user interface to optimize workflow speed.

This significant user interface overhaul has been created to harness the power of multiple new technologies added to DaVinci Resolve in the last few years, including automatic 3D eye matching, multi layering timelines, XML support plus more camera and file type support. The new user interface is extremely fast to use and eliminates unnecessary clicks and settings to get working fast. A job can be up and running in three clicks: one to log in, one to drop media into the project and the next to grade.

New user interface improvements include a new streamlined project import, export and selection workflow, scrubbable media thumbnails to speed up shot selection, production metadata fields for entering on set shot notes and larger color control palettes to give faster access to grading tools. There are new clear graphical palettes for control of power windows, keys, sizing, tracking and stabilization, camera raw and data burn ins. The Gallery now includes resizable stills displayed in user named albums and 44 “prebuilt looks” for fast grade selection. DaVinci Resolve 9 now ensures that the product remains a true, modern, multi platform tool, while retaining all the powerful features as the previous version. Read the remainder of this entry »

DaVinci color correctors are the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci and love it as their trusted partner in creativity. DaVinci is the name behind more feature films, television commercials, documentaries, episodic television production and music videos than any other grading system.

Take a closer look at DaVinci Resolve Read the remainder of this entry »